@inbook {2020,
	title = {De Antwerpse schilderkunst rond 1500: de rol van Goossen Van der Weyden en het Dimpna-altaarstuk},
	booktitle = {Zot van Dimpna. Acht panelen vol passie, lef en rebellie},
	year = {2020},
	pages = {156-178},
	publisher = {Hannibal-The Phoebus Foundation},
	organization = {Hannibal-The Phoebus Foundation},
	address = {Veurne},
	isbn = {978-94-6388-741-0},
	author = {P{\'e}rier-D{\textquoteright}Ieteren, Catheline},
	editor = {Van Dorst, Sven}
}
@inbook {6013,
	title = {De hele wereld in de ban van Dimpna},
	booktitle = {Zot van Dimpna. Acht panelen vol passie, lef en rebellie},
	year = {2020},
	pages = {300-306},
	publisher = {Hannibal-The Phoebus Foundation},
	organization = {Hannibal-The Phoebus Foundation},
	address = {Veurne},
	isbn = {978-94-6388-741-0},
	author = {Lefevere, Janna},
	editor = {Van Dorst, Sven}
}
@inbook {2020,
	title = {De opdrachtgevers van het Dimpna-altaarstuk ontmaskerd},
	booktitle = {Zot van Dimpna. Acht panelen vol passie, lef en rebellie },
	year = {2020},
	pages = {96-108},
	publisher = {Hannibal-The Phoebus Foundation},
	organization = {Hannibal-The Phoebus Foundation},
	address = {Veurne},
	abstract = {Goossen Van der Weyden schilderde de portretten van de Tongerlose abt Antoon Tsgrooten en zijn kamerling Willem Sapels op een drager van tinfolie, wellicht omdat deze niet in het atelier in Antwerpen, maar in Tongerlo geschilderd werden.},
	isbn = {978-94-6388-741-0},
	author = {Van Dorst, Sven},
	editor = {Van Dorst, Sven}
}
@inbook {2020,
	title = {De stijlloze kunst van Goossen Van der Weyden},
	booktitle = {Zot van Dimpna. Acht panelen vol passie, lef en rebellie},
	year = {2020},
	pages = {206-215},
	publisher = {Hannibal-The Phoebus Foundation},
	organization = {Hannibal-The Phoebus Foundation},
	address = {Veurne},
	abstract = {Bespreekt onder andere het verdwenen hoofdaltaar van Tongerlo door Goossen Van der Weyden},
	isbn = {978-94-6388-741-0},
	author = {Ilsink, Matthijs},
	editor = {Van Dorst, Sven}
}
@inbook {2020,
	title = {De verdwenen triptiek: het Dimpna-altaarstuk digitaal gereconstrueerd},
	booktitle = {Zot van Dimpna. Acht panelen vol passie, lef en rebellie},
	year = {2020},
	pages = {24-34},
	publisher = {Hannibal-The Phoebus Foundation},
	organization = {Hannibal-The Phoebus Foundation},
	address = {Veurne},
	abstract = {Deze bijdrage bespreekt de historiek van het schilderij. Met een onderbreking van 1796 tot 1840 bleef het drieluik tot 1913 bezit van de abdij van Tongerlo. Het paneel met De marteling van Dimpna ging voor 1840 verloren.},
	isbn = {978-94-6388-741-0},
	author = {Van Dorst, Sven and Weissenborn, Hilde},
	editor = {Van Dorst, Sven}
}
@inbook {2020,
	title = {Dimpna, historische achtergronden en cultus },
	booktitle = {Zot van Dimpna. Acht panelen vol passie, lef en rebellie},
	year = {2020},
	pages = {266-278},
	publisher = {Hannibal-The Phoebus Foundation},
	organization = {Hannibal-The Phoebus Foundation},
	address = {Veurne},
	isbn = {978-94-6388-741-0},
	author = {Mulder-Bakker, Anneke B.},
	editor = {Van Dorst, Sven}
}
@inbook {2020,
	title = {Dymphna, her Historical Background and Cult},
	booktitle = {Crazy about Dymphna. The Story of a Girl who Drove a Medieval City Mad},
	year = {2020},
	pages = {266-278},
	publisher = {Hannibal-The Phoebus Foundation},
	organization = {Hannibal-The Phoebus Foundation},
	address = {Veurne},
	isbn = {978-94-6388-742-7},
	author = {Mulder-Bakker, Anneke B.},
	editor = {Van Dorst, Sven}
}
