<?xml version="1.0" encoding="UTF-8"?><xml><records><record><source-app name="Biblio" version="7.x">Drupal-Biblio</source-app><ref-type>5</ref-type><contributors><authors><author><style face="normal" font="default" size="100%">Lefftz, Michel</style></author></authors><secondary-authors><author><style face="normal" font="default" size="100%">Carlier, Aurore</style></author></secondary-authors></contributors><titles><title><style face="normal" font="default" size="100%">Sculptures et sculpteurs à Marche-les-Dames: de splendides témoins de l’histoire des styles en région mosane</style></title><secondary-title><style face="normal" font="default" size="100%">Marche s/Meuse. Que s’écoule le temps… passent les Dames. Regards croisés sur l’abbaye Notre-Dame du Vivier. XIIIe-XXe siècle</style></secondary-title><tertiary-title><style face="normal" font="default" size="100%">Namur. Histoire et Patrimoine</style></tertiary-title></titles><dates><year><style  face="normal" font="default" size="100%">2025</style></year></dates><publisher><style face="normal" font="default" size="100%">Société archéologique de Namur</style></publisher><pub-location><style face="normal" font="default" size="100%">Namur</style></pub-location><pages><style face="normal" font="default" size="100%">238-253</style></pages><isbn><style face="normal" font="default" size="100%">978-2-931275-01-6</style></isbn><language><style face="normal" font="default" size="100%">eng</style></language></record><record><source-app name="Biblio" version="7.x">Drupal-Biblio</source-app><ref-type>5</ref-type><contributors><authors><author><style face="normal" font="default" size="100%">Lefftz, Michel</style></author></authors><secondary-authors><author><style face="normal" font="default" size="100%">Mercier, Emmanuelle</style></author><author><style face="normal" font="default" size="100%">De Boodt, Ria</style></author><author><style face="normal" font="default" size="100%">Pierre-Yves Kairis</style></author></secondary-authors></contributors><titles><title><style face="normal" font="default" size="100%">Les Borman et la Renaissance. La prédelle du retable de Saint-Denis</style></title><secondary-title><style face="normal" font="default" size="100%">Flesh, Gold and Wood. The Saint-Denis altarpiece in Liège and the question of partial paint practices in the 16th century. Proceedings of the Conference held at the Royal Institute for Cultural Heritage in Brussels, 22-24 October 2015</style></secondary-title><tertiary-title><style face="normal" font="default" size="100%">Scientia Artis</style></tertiary-title></titles><dates><year><style  face="normal" font="default" size="100%">2020</style></year></dates><publisher><style face="normal" font="default" size="100%">Koninklijk Instituut voor het Kunstpatrimonium</style></publisher><pub-location><style face="normal" font="default" size="100%">Brussel</style></pub-location><volume><style face="normal" font="default" size="100%">18</style></volume><pages><style face="normal" font="default" size="100%">179-199</style></pages><isbn><style face="normal" font="default" size="100%">978-2-930054-40-7</style></isbn><section><style face="normal" font="default" size="100%">7</style></section></record></records></xml>