Bibliografie

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2015
de Loos, I. (2015). Libri ordinarii of the Low Countries. Observations regarding Filiation and Diversity. In L. van Tongeren & Caspers, C. M. A. (Red.), Unitas in pluralitate. Libri ordinarii als Quelle für die Kulturgeschichte. Libri ordinarii as a source for cultural history (pp. 81-104). Münster: Aschendorff.
Op de Coul, T. (2015). The life of a fifteeenth-century Carthusian gradual from Roermond. In T. Gaens & Timmermans, F. (Red.), Tradition et transformation. Les chartreux dans l’Europe médiévale et moderne. Colloque international à l’occasion du 650e anniversaire de la fondation de la chartreuse de Liège (6-8 octobre 2010) (Vol. 306, pp. 219-250). Saint-Etienne: CERCOR.
Speakman Sutch, S. (2015). Patronage, Foundation History, and Ordinary Believers: The Membership Registry of the Brussels Seven Sorrows Confraternity. In E. S. Thelen & Speakman Sutch, S. (Red.), M. Boone & Van Bruaene, A. - L. (Vert.), The Seven Sorrows Confraternity of Brussels. Drama, Ceremony, and Art Patronage (16th-17th Centuries) (Vol. 37, pp. 19-48). Turnhout: Brepols.
van den Hoven van Genderen, A. J. (B. ). (2015). Posture and Behaviour. Customaries of three Utrecht Chapters Regarding Correct Liturgical Practice. In L. van Tongeren & Caspers, C. M. A. (Red.), Unitas in pluralitate. Libri ordinarii als Quelle für die Kulturgeschichte. Libri ordinarii as a source for cultural history (p. 103). Münster: Aschendorff.
van der Ploeg, K. (2015). Preserving and Reshaping. The Intricacies of Liturgy and Architecture at St. Lebuinus', Deventer. In L. van Tongeren & Caspers, C. M. A. (Red.), Unitas in pluralitate. Libri ordinarii als Quelle für die Kulturgeschichte. Libri ordinarii as a source for cultural history (pp. 181-204). Münster: Aschendorff.
Terlinden, B. (2015). Quatre cas de peintures murales anciennes en Brabant wallon. Revue d’histoire du Brabant wallon, 29(1), 29-56.
Tombeur, P. (2015). Sigebert de Gembloux, fidèle rebelle, exemple étonnant de la liberté de penser au moyen âge. In J. - P. Straus (Red.), Sigebert de Gembloux (Vol. 79, pp. 173-200). Turnhout: Brepols.
Caspers, C. M. A. (2015). The Spiritual Meaning of the Feasts of Trinity Sunday and Corpus Christi in the Low Countries. An Exploration with the Aid of libri ordinarii. In L. van Tongeren & Caspers, C. M. A. (Red.), Unitas in pluralitate. Libri ordinarii als Quelle für die Kulturgeschichte. Libri ordinarii as a Source for Cultural History (pp. 357-380). Münster: Aschendorff.
Dewilde, B., & Vannieuwenhuyze, B.. (2015). A Tangible Past. History Writing and Property Listing by the Brussels Seven Sorrows Confraternity, c. 1685. In E. S. Thelen & Speakman Sutch, S. (Red.), M. Boone & Van Bruaene, A. - L. (Vert.), The Seven Sorrows Confraternity of Brussels. Drama, Ceremony, and Art Patronage (16th-17th Centuries) (Vol. 37, pp. 3-18). Turnhout: Brepols.
Roobaert, E., & Jacobs, T. R.. (2015). An Uncelebrated Patron of Brussels Artists: St Gorik’s Confraternity of Our Lady of the Seven Sorrows (1499-1516). In E. S. Thelen & Speakman Sutch, S. (Red.), M. Boone & Van Bruaene, A. - L. (Vert.), The Seven Sorrows Confraternity of Brussels. Drama, Ceremony, and Art Patronage (16th-17th Centuries) (Vol. 37, pp. 92-112). Turnhout: Brepols.
Trio, P. (2015). The Use of Ornaments according to the Ordinal of the Parish Church of St. Nicholas in Diksmuide (Flanders). In L. van Tongeren & Caspers, C. M. A. (Red.), Unitas in pluralitate. Libri ordinarii als Quelle für die Kulturgeschichte. Libri ordinarii as a source for cultural history (pp. 231-250). Münster: Aschendorff.
Trio, P. (2015). The Use of Ornaments according to the Ordinal of the Parish Church of St. Nicholas in Diksmuide (Flanders). In L. van Tongeren & Caspers, C. M. A. (Red.), Unitas in pluralitate. Libri ordinarii als Quelle für die Kulturgeschichte. Libri ordinarii as a source for cultural history (pp. 231-250). Münster: Aschendorff.
Eichberger, D. (2015). Visualizing the Seven Sorrows of the Virgin: Early Woodcuts and Engravings in the Context of Netherlandish Confraternities. In E. S. Thelen & Speakman Sutch, S. (Red.), M. Boone & Van Bruaene, A. - L. (Vert.), The Seven Sorrows Confraternity of Brussels. Drama, Ceremony, and Art Patronage (16th-17th Centuries) (Vol. 37, pp. 113-143). Turnhout: Brepols.
2016
Thibaut, J. (2016). Hervorming en identiteit. Monastieke idealen in tiende-eeuws Lotharingen. Tijdschrift voor Nederlandse Kerkgeschiedenis, 19(4), 125-130.
Hermand, X., & Terlinden, É.. (2016). L’abbaye de Saint-Jacques à Liège et la réforme de l’observance au XVe siècle. In A. Wilkin, Allart, D., Piavaux, M., & Van den Bossche, B. (Red.), L’église Saint-Jacques à Liège. Templum pulcherrimum. Une histoire, un patrimoine (pp. 121-128). Namur: Institut du Patrimoine wallon.
van Tongeren, L., Bijsterveld, A. J. A., & Verweij, M.. (2016). Naschrift: De officie- en misteksten in relatie tot Oda’s vita. In A. J. A. Bijsterveld, Roelvink, V., & Biemans, J. (Red.), Rondom Sint-OedenRode. Macht, religie en cultuur in de Meierij (pp. 156-165). Woudrichem: Pictures Publishers-Stichting Brabantse Bronnen.
2017
Thome, M. (2017). Einheit und Einfachheit. Architektur und Raumkonzepte der Zisterzienser. In A. Claus & Frahm, A. (Red.), Die Zisterzienser. Das Europa der Klöster (pp. 39-53). Darmstadt: Theiss.
Theunissen, C. (2017). Jan Borchman and his Fellow Craftsmen: The Creation of Choir Stalls in the Low Countries. In A. Seliger & Piron, W. (Red.), Choir Stalls and their Workshops: Proceedings of the Misericordia International Colloquium 2016 (pp. 211-223). Newcastle upon Tyne: Cambridge Scholars Publishing.

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